É isso aí pessoal, depois de uma pausa de três anos, o Goomba Reviews finalmente ressurge! E não há nada melhor do que voltar a ativa com um review de um grande clássico da animação japonesa, considerada uma das melhores animações já feitas.
Meu Vizinho Totoro (também conhecido no Brasil como Meu Amigo Totoro) é uma animação japonesa escrita e dirigida pelo grande Hayao Miyazaki e produzida pelo Studio Ghibli, mundialmente conhecido por animações de alto calibre como A Viagem de Chihiro e Túmulo dos Vagalumes. Lançado em 1988, o filme foi um grande sucesso na época e continua a encantar audiências até os dias de hoje, sendo uma das obras mais conhecidas de Miyazaki.
O filme conta a história de duas garotinhas, Satsuki e Mei, que se mudam com seu pai para uma área rural do Japão para ficarem mais perto do hospital onde sua mãe está internada. Assim como para qualquer criança, a nova casa e todas as suas redondezas são como um novo mundo para as duas irmãs, o que as leva a explorar tudo e qualquer canto dos locais.
Today is a very special day for me. Today is the
day a certain film is celebrating its 20th anniversary. The name of
this film is Whisper of the Heart, or Mimi o sumaseba, for those who like to
call it by the original name in Japanese.
A Studio Ghibli production directed by the late Yoshifumi Kondō, with Hayao
Miyazaki on the screenplay, the animation takes us to the life of Shizuku, a 14
year old girl that lives her day-to-day without worrying about anything. She
likes to read a lot of books, to write poetry and to translate songs in foreign
languages. Her life changes when she meets Amasawa Seiji, a boy that has a
dream of becoming a violin luthier and is already training to do so. By meeting
him, she starts to think about things concerning her future that never got
through her head and then her life starts to take a different direction. I should
say that it isn’t only her life that changes, but also the one of those who
watch this piece with their hearts open.
At first sight, the movie may seem like a simple romance, but in fact it is
about the search for inspiration and creativity, about the yearnings of a girl
in expressing her feelings and her art by the means of writing and how the
process to do this is long and exhausting. Then let me express about this film
which I feel extreme affection and admiration in one of the most personal
articles I have ever written. (This article was published July 15th 2015, not 2014, as it's stated above.)
ART
The animation is set in a real life location called
Tama New Town, Japan. The landscapes are
drawn in such a perfectionist manner with a magnificent harmony between lines,
shapes and colors that our eyes start to get watery. That’s how beautiful it
is. There are certain parts that the drawing of the scenery is so gorgeous and
similar to real life that you have to pause the movie and ask yourself how someone
can draw something as wonderful and enthralling as that. The meticulous color
distribution also has an extremely important role on the film’s visual, since
they shape the atmosphere of several situations and make you feel comfortable.
I may not understand a lot about painting, but I can recognize a wonderfully
done work of art.
Yes, my friends, this is a drawing. No, it isn’t a
real life photo.
The director, Yoshifumi Kondō, that unfortunately
left us a lot earlier than he should, is a master of character design. The
gestures, expressions and how the characters act in any situation are
represented in such a masterful way that only Studio Ghibli can do, especially
with Kondō on the helm. The director is behind the key animation for several of
the studio’s work from the period '88 – '97 and always makes his characters as
expressive as possible, without using the cliché anime devices like actions
disproportional to the human body. Besides, Kondō also has a unique approach in the
world of animation where he shows the daily life to those who have the pleasure
to be amazed by one of his works. He has a book called Futo furiekaeru to,
literally “When I turn around”, which is composed of illustrations that shows
what someone loses the opportunity to see when they turn around. In this
beautiful work you’ll see children looking at their reflex on the water, a
woman picking flowers, a mother helping her son to build a snowman, a casual
conversation on a cold day, amongst other things in daily life. These “things”
that seems to be trivial are also shown in this movie, 'cause they’re elements
of the day-to-day that we don’t care about most of the times, but that can make
us realize certain aspects of our life that go unnoticed.
Imagine if that cat that you saw and ignored on the
street could take you to a marvelous find if you had tried to follow it?
Still following this genial line of thought that
makes Kondō and his production completely singular, the film tries to show
moments of our daily life that had a certain impact on us, but that we didn’t
really notice when we lived them. A walk to school in a rainy day, the love
declaration from a friend, the talk with your parents about your performance in
school, the night conversation with a friend… These are the things that, when
we lived them, would stay with us for some moments and then be forgotten on
behalf of something else that would occupy our turbulent young mind. We just
start to realize how these things were really important to ourselves with the
reality shock this animation gives us. I think we all got through some moments when we
needed to stay alone and reflect on how our life was going. We still do. When
you wander around without anywhere to go, get aboard a train, look at the
scenery, stay still on a random place…just to have a time alone with yourself.
Those “live reflecting pauses” are extremely faithfully represented in Whisper
of the Heart. The way she looks at the landscape feels like we were there where
she was, mesmerizing the view. These scenes aren’t rushed so that the character
has her time to think. Shizuku isn’t just a film character – she’s a people
like everyone else and we’re watching her life. Moments of reflection like these
are crucial to the development of her thoughts.
The landscapes from the fantasy sequences, product
of Shizuku’s wonderful mind, are inspired by the fantastic works of the
Japanese painter Naohisa Inoue, where magic transcends the screen and delights
us with idyllic sceneries, flowing with colors and full of brilliance. For
those interested in his work, there’s an OVA called Iblard Jikan, composed
entirely by his fantasy pieces and can be watched by clicking on the name. I
can guarantee that you’re going to relax, feel at ease and be enthralled.
A landscape only possible by Shizuku’s brilliant
imagination.
MUSIC
In a movie where a violin maker is portrayed, it’s
obvious the music won’t be treated just as a simple soundtrack, as a mere
accompaniment to the image we’re watching. No. The compositions here are like
they’ve came straight from Shizuku’s mind, fitting perfectly with her feelings
into every situation of her life. By listening to these songs that represent
her state of happiness or determination in my daily life, the same feelings she
felt start to dominate and inspire me. I’m not ashamed to say I weeped a lot
while I listened any of these wonderful compositions while I was on the train, 'cause they have this power of touching you deep in your heart.
One of the main plot points in the movie is
centered on a song Shizuku’s translating as a way of expressing herself. This
song is called Take Me Home, Country Roads, by John Denver. Those who like
country and folk music sure know this composition, especially who lives in West
Virginia. The fact is that the 14-year old girl likes to express herself
through music translations, adapting them according to her feelings. One of the
versions she made is called “Concrete Roads”, where the natural landscapes from
the original version are changed to concrete roads in the lyrics, reflecting
the place she lives.
The difficulty to make music is represented in
Whisper of the Heart in their two protagonists – Shizuku translates and adapts
foreign language lyrics, like if she was rewriting them, and Seiji makes
violins, the practice of which he notes “The quality of a violin depends on the
quality of its luthier”. Doing so, the film explores a much deeper layer on the
subject music making, after all it doesn’t approaches only the sound of the
art, but the full process, from the making of the instruments to the
performance of a song, while also showing all the difficulty that revolves this
process. After all, the music is the manifestation of oneself and the
production team of this movie knew that they shouldn’t only scratch the surface
– they knew they had to dig deep into the roots.
The will and endeavor of a boy to fulfill his
dream.
And with all that said, we’ve reached the musical
apex of Whisper of the Heart. When Shizuku finds out that Seiji is a violin
maker, she asks he to play the instrument. To her surprise, the boy says that
he’ll play only if she sings together. And what would be the best suited song
for the situation? “A song you know very well”, as he puts – Country Roads. The
scene that follows is the most beautiful I have watched in my whole life in any
animation or audiovisual production. With Seiji playing violin, Shizuku sings
with fear and awe until her heart is taken by that magic moment in which an
unequalled feeling of happiness overflows the small room where a completely
spontaneous performance is happening. The natural way this happens puts any
Disney’s musical act to the ground. I’ve watched this movie for the fourth time
this Saturday and the feeling of overjoy and enchant this scene provides is so
enormous that I found myself clinging to my pillow as I cried of happiness,
with a gaping mouth that refused to close. What happens on this scene is real
and unfeigned, you can FEEL that moment. I’m writing this with tears on my
eyes. Thanks, Studio Ghibli, for providing such a unique experience as that.
SENTIMENTAL VALUE Ever since I have realized who I am, I was someone
pessimist. Always complaining about everything even if the situation was great.
I had an ideology that if something good happened, something bad would follow.
Today I can say that I’m more than glad, ‘because I have finally left that
flawed thinking that made it impossible for me to enjoy several situations in
my life. But what could’ve caused this change of thoughts? This movie. This
beautiful animation taught me to appreciate the small things of life that are
often considered trivial, and the most important of all, it has recovered my
self-confidence. That lack of will due to not believing in myself simply
doesn’t exists anymore, ‘cause this picture teaches that we have to show our
art not just to the world, but mainly to ourselves.
Just as the protagonist Shizuku, I have started to “put myself to the test”, to
test my abilities and to believe in them, something I didn’t do. I must admit
that sometimes I still get reluctant about my own capacities, but then I
remember that I have created a bond with the character of this movie. By
looking at her, I can see myself, because her yearnings are the same as mine’s,
her difficulties are the same as mine’s. Once again I say that she’s not a
simple film character – she’s a real person. Her life story is portrayed with
such faithfulness that I can feel what she feels. Every cry, every smile of
joy, every determination moment expressed by Shizuku touches me in a way that
it’s like she was a part of me. It’s with her that I get the strength to go
onwards.
There’s something Seiji’s grandfather said that
served as inspiration for her just as it did to me and I hope it does to
everyone else that gets through the same difficulties concerning lack of
self-confidence:
- Look
inside this rock. It’s a beryl mineral, there’s an emerald inside.
- Emerald,
the precious rock?
-Yes.
You and Seiji are like this rock. A raw, unpolished mineral. I like this kind
of thing. But making violins and writing stories isn’t the same thing. You must
find the jewel inside you and have time to polish it. It’s an exhausting task.
Can you see the big jewel that is hidden in this rock? The truth is that once
you have polished it, you won’t get nothing big. The small fragments, hidden
deep inside, are even more pure. In fact, there are better crystals there,
where you can’t see them.
Do as Mr. Nishi says: search for the jewel hidden deep inside you.
A dream I have the urge to fulfill in the future is
to visit the setting of this movie, New Tama Town. I’m sure I would fell in tears
just to think I would be following the same steps Shizuku took, looking to the
sides and recognizing the places of a city I’ll be visiting for the first time.
IN THE END...
If there’s an inspiration that I’ll carry with me
for the rest of my life, it’s Whisper of the Heart. An animation that does
exactly what the title says and that’s why it will always have an enormous
place deep in my heart. All these words I have written still aren’t enough to
express my gratitude towards this piece of art that changed the direction of my
life from the darkness of insecurity to the dawn of positivity, but I couldn’t
let the 20th anniversary of this masterpiece go unnoticed. If
everything to me before were bad omens, now all I see in front of me are
auspicious times.
I hope that the masterpiece of Yoshifumi Kondo and
Studio Ghibli continues to fascinate and inspire anyone who likes to express
himself through any means of art, be it through music, writing, drawing… This
is a timeless work of art that will never age due to the love the production
team has deposited in it and that has been absorbed by me the best way
possible.
-Vinicius "vini64" Pires
Read my other articles about animation features (only in Portuguese):
